The Keys to Flamenco Guitar, Part 2

CHAPTER 1 – REFINING RASGUEDO TECHNIQUE

• Theory into practice

CHAPTER 2 – THE COPLA 

• Lesson one     Fandangos de Huelva
• Lesson two     Fandangos Coplas
• Lesson three   Sevillanas
• Lesson four    Verdiales

CHAPTER 3 VIRTUOSO FALSETAS & THE TOQUE LIBRE

• Lesson five  - Avanced Arpegio & Legado Falsetas
• Lesson six      - The development of virtuoso variations
• Lesson seven      -Individual viewpoints
• Lesson eight      - Fandangos Grandes & the Toque Libre

SOLO por TARANTAS

CHAPTER 4    - TREMOLO

1. Lesson nine  -Tremolo Technique
2. Lesson ten   -Tremolo Falsetas
3. Lesson eleven  -  Tremolo in other contexts

Solo por Granadinas

CHAPTER 5  - ADVANCED ALZAPUA

• Lesson twelve  Alzapua Falsetas
• Lesson Thirteen   - Alternative uses of Alzapua Technique

CHAPTER 6  ADVANCED RASGUEADO TECHNIQUE

• Lesson Fourteen  -  THE THUMB IN RASGUEADO
• Lesson fifteen     -   CONTINUOUS RASGUEADOS
• Lesson sixteen    - TRIPLET RASGUEADOS
• Lesson seventeen – MULTIPLE RASGUEADO

CHAPTER 7  -  CREATING FLAMENCO SOLO

SOLO por ALEGRIAS

SOLO por SOLEARES

CREATING YOUR OWN SOLOS

INTRODUCTION TO PART 3: CONCERT FLAMENCO SOLOS

SOLO FANDANGOS de DOS GENERACIONES

INDEX OF FORMS

ABOUT FLAMENCO FORMS